 Artist: Fela Kuti: mp3 download Genre(s): Folk Retro funk Other Ethnic Dance Rock Fela Kuti's discography:  Expensive Shit - He Miss Road Year: 2006 Tracks: 5  Coffin for Head of State-Unknown Soldier Year: 1999 Tracks: 2  Coffin for Head of State - Unk Year: 1995 Tracks: 2  Opposite People Year: 1977 Tracks: 4  Before I Jump Like Monkey Give Year: 1975 Tracks: 2  Shakara Year: 1972 Tracks: 2  Open and Close/Afrodisiac Year: 1971 Tracks: 3  Upside Down / Music Of Many Co Year: Tracks: 4  Teacher Don't Teach Me Nonsens Year: Tracks: 2  Jazz and Dance Year: Tracks: 9  Expensive Shit Year: Tracks: 2  1972 Year: Tracks: 7 It's most insufferable to hyperbolize the impact and importance of Fela Anikulapo (Ransome) Kuti (or precisely Fela as he's more unremarkably known) to the world melodic small township: manufacturer, adapter, musician, political theme, anarchical. He was all that, as good as showman par excellence, discoverer of Afro-beat, an irredeemable male chauvinist, and a moody megalomaniac. His dying on August 3, 1997 of complications from AIDS deep affected musicians and fans internationally, as a musical and sociopolitical voice on a equality with Bob Marley was silenced. A fe out leaving from the United Democratic Front of Nigeria on the occasion of Fela's dying noted: "Those world Health Organization knew you good were repetitive that you could never compromise with the wickedness you had fought all your life. Even though made weak by time and lot, you remained strong in willing and never abandoned your destination of a absolve, democratic, socialist Africa." This is as compact a summation of Fela's political order of business as one is likely to feel. Born in Abeokuta, Nigeria, north of Lagos in 1938, Fela's family was firmly middle class as well as politically active. His father of the Church was a subgenus Pastor (and talented piano player), his mother active in the anti-colonial, anti-military, Nigerian home rule movement. So at an early age, Fela experient political relation and music in a seamless combination. His parents, however, were less concerned in his decent a instrumentalist and more concerned in his becoming a doctor, so they packed him off to London in 1958 for what they assumed would be a medical education; alternatively, Fela registered at Trinity College's school day of music. Tired of poring over European composers, Fela formed his first base band, Koola Lobitos, in 1961, and cursorily became a repair on the London club scene. He returned to Nigeria in 1963 and started another translation of Koola Lobitos that was more influenced by the James Brown-style singing of Geraldo Pina from Sierra Leone. Combining this with elements of traditional high life and malarkey, Fela dubbed this intensely rhythmical loan-blend "Afro-beat," part as review article of African performers whom he felt had off their backs on their African musical roots in holy Order to emulate electric current American pop music trends. In 1969, Fela brought Koola Lobitos to Los Angeles to term of enlistment and criminal record. They toured America for about eight months exploitation Los Angeles as a rest home basis. It was spell in L.A. that Fela hooklike up with a ally, Sandra Isidore, world Health Organization introduced him to the hagiographa and politics of Malcolm X, Eldridge Cleaver (and by propagation the Black Panthers), and other proponents of Black nationalism and Afrocentrism. Impressed at what he take, Fela was politically revivified and distinct that some changes were in order: number one, the key of the band, as Koola Lobitos became Nigeria 70; second, the music would become more than politically denotative and critical of the subjugation of the powerless world. After a disagreement with an unscrupulous promoter wHO turned them in to the Immigration and Naturalization Services, Fela and stria were charged with working without do work permits. Realizing that time was short in front they were sent endorse to Nigeria, they were able to scrape together some money to record some new songs in L.A. What came to be known as the '69 Los Angeles Sessions were remarkable, an indication of a maturing reasoned and of the raucous, propulsive music that was to mark Fela's vocation. Afrobeat's combination of clamor horn sections, antiphonal vocals, Fela's quasi-rapping pidgin English, and percolating guitars, all mantled up in a smoldering channel (in the early days driven by the band's superb drummer Tony Allen) that could lowest closely an time of day, was an intoxicating effectual. Once hooked, it was impossible to get sufficiency. Upon reverting to Nigeria, Fela founded a communal compound-cum-recording studio and rehearsal space he called the Kalakuta Republic, and a club, the Shrine. It was during this time that he dropped his minded middle identify of "Ransome" which he aforementioned was a slave bring up, and took the name "Anikulapo" (import "he wHO carries death in his pouch") . Playing always and recording at a ferocious pace, Fela and stria (world Health Organization were now called Africa 70) became vast stars in West Africa. His biggest fan basis, however, was Nigeria's poor. Because his music addressed issues important to the Nigerian lower class (specifically a military regime that profited from political victimisation and disenfranchisement), Fela was more than a plainly a pop star; care Bob Marley in Jamaica, he was the voice of Nigeria's have-nots, a cultural johnny. This was something Nigeria's military military junta tested to piquantness in the bud, and from most the moment he came plump for to Nigeria up until his death, Fela was hounded, imprisoned, pestered, and intimately killed by a regime determined to silence him. In one of the most gross acts of force attached against him, 1,000 Nigerian soldiers attacked his Kalakuta compound in 1977 (the second government-sanctioned attack). Fela suffered a fractured skull as well as other upset finger cymbals; his 82-year old mother was thrown from an up the stairs window, inflicting injuries that would later leaven fatal. The soldiers set fire to the compound and prevented fire fighters from reaching the region. Fela's recording studio apartment, all his victor tapes and melodic instruments were destroyed. After the Kalakuta tragedy, Fela shortly lived in exile in Ghana, reversive to Nigeria in 1978. In 1979 he formed his possess political party, MOP (Movement of the People), and at the start of the novel decade renamed his band Egypt 80. From 1980-1983, Nigeria was under civilian rule, and it was a relatively peaceful period for Fela, wHO recorded and toured nonstop. Military rule returned in 1983, and in 1984 Fela was sentenced to ten years in prison on charges of currency smuggling. With aid from Amnesty International, he was freed in 1985. As the '80s over, Fela recorded blistering attacks against Nigeria's grease one's palms military government, as well as broadsides aimed at Margaret Thatcher and Ronald Reagan (to the highest degree abrasively on the album Beasts of No Nation). Never what you would call reform-minded when it came to relationships with women or patriarchy in general (the fact was that he was sexist in the extreme, which is ironical when you consider that his mother was one of Nigeria's early feminists), he was advent about to the struggles faced by African women, just exclusively only hardly. Stylistically oral presentation, Fela's euphony didn't change a lot during this time, and practically of what he recorded, while good, was not as blistering as some of the astonishing music he made in the '70s. Still, when a Fela disk appeared, it was always worth a listen. He was unco quiet in the '90s, which may have had something to do with how ill he was; very short new music appeared, but in as majuscule a series of reissues as the planet has ever seen, the London-based Stern's Africa tag re-released some of his retentive unavailable records (including The '69 Los Angeles Sessions), and the germinal whole caboodle of this remarkable musician were once again filling up CD bins. He never bust big in the U.S. market, and it's backbreaking to envisage him having the same tolerant of posthumous profile that Marley does, just Fela's 50-something releases offer up fold of remarkable music, and a musical legacy that lives on in the person of his gifted logos Femi. Around the turn of the millenary, Universal began remastering and reissuing a hefty contribution of Fela's many recordings, finally devising some of his nigh important bring widely available to American listeners. |
Wednesday, 3 September 2008
Mp3 music: Fela Kuti
Sunday, 24 August 2008
Lil Wayne label offers mobile content service
NEW YORK (Billboard) - Cash Money/Universal Motown has launched a mobile subscription robert William Service to deliver ringtones, graphics, videoclips, text alerts and contest opportunities to fans of label artists wish Lil Wayne, the Hot Boys and Birdman, Billboard has conditioned.
Cash Money Mobile will toll $9.99 per calendar month, which will be charged directly to a user's phone poster. Universal kicked off the program with a easy launch in June, about the release of Cash Money breadwinner Lil Wayne's chart-topping "Tha Carter III." Since then, subscribers have had accession to a dozen single ringtones that comprise second edits, remixes and alternate takes of album tracks.
The content is delivered by mobile content distributor m-Wise, which meat hooks up carriers Sprint, T-Mobile, Verizon Wireless, AT&T, Alltel, Boost & Suncom via its MOMA Service Delivery Platform. Universal previously has used m-Wise's services through online mobile entertainment platform Thumbplay.
Similar subscription programs are widespread with mainstream artists. Island Def Jam started its own IDJ Mobile subscription service this year.
"But this is Cash Money. It's a modest boutique radical of artists with a very similar fan stand," according to Kameo Carlson, senior vice president of digital patronage development for Universal Motown Republic Group (UMRG). "There's a core group of consumers that associate with the specific Cash Money brand." That core group helped make Wayne's "Lollipop" one of the first platinum-selling ringtones in the United States earlier this year.
According to Carlson, the company has not until now determined the number of subscribers wHO have signed up for the enterprisingness. But more than C,000 fans have subscribed to Lil Wayne's dislodge mobile fan club, which offers services like text updates.
/Billboard
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Thursday, 14 August 2008
Elvis And Priscilla Presley Join Barbie Doll Family
A new range of Elvis and Priscilla Presley Barbie Dolls have done for on sales event in America.
The iconic figures, which cost $65 each, went on sale yesterday (August fourteenth) at the souvenir shop in Graceland.
The dolls, which have been endorsed by Elvis' the three estates, are dressed in replicas of the outfits the pair wore to their wedding in Las Vegas in 1967.
Approximately 150 Elvis fans queued overnight to be the first people to get their manpower on the figures, with one describing the likeness as �good�.
Currently, the dolls are only available in limited edition numbers - but volition go on wider sale later this year.
How do you intend they compare against some of music's other stars that have been turned into figures?
Check out our gallery of Freaky Dolls HERE.
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Friday, 27 June 2008
Brainstorm
Artist: Brainstorm
Genre(s):
Rock
Metal: Power
Rock: Electronic
Metal
Metal: Heavy
Discography:
Unholy
Year: 2007
Tracks: 13
Liquid Monster
Year: 2005
Tracks: 11
Greatest Hits
Year: 2005
Tracks: 19
A Day Before Tomorrow
Year: 2003
Tracks: 12
Online
Year: 2001
Tracks: 11
Among The Suns
Year: 2001
Tracks: 13
Ambiguity
Year: 2000
Tracks: 12
Hungry
Year: 1997
Tracks: 11
Soul Temptation
Year:
Tracks: 11
Metus Mortis
Year:
Tracks: 13
Four Shores
Year:
Tracks: 11
German heavy metal stria Brainstorm was formed in 1989 by guitarists Torsten Ihlenfeld and Milan Loncaric and drummer Dieter Bernert, and cursorily set most recording their first demonstration, "Hand of Doom." Bassist Andreas Mailänder was succeeding to bring together and, after a string of undependable frontmen, isaac Merrit Singer Marcus Jürgens rounded out their ranks, as demonstration afterwards demo slowly brought the band closer to achieving their goals. 1997 finally saw the discharge of Brainstorm's debut record album Hungry, which was supported by tours with Morgana Lefay and Skyclad earlier making path for the following year's' soph exploit Unholy -- produced by Charlie Bauerfeind (Blind Guardian, Gamma Ray, Angra, etc.). Jürgens quit the dance band presently afterwards and one Henne Basse was brought in to satisfy touring commitments until a lasting replacement could be establish in vocalist Andy B. Franck. A new deal with Metal Blade was then smitten and Brainstorm undertook a feverish recording docket that resulted in 2000's Ambiguity, 2001's Metus Mortis and 2003's Soul Temptation. Meanwhile, unremitting festival appearances and tours across Europe with the likes of Armored Saint and King Diamond helped Brainstorm get matchless of Germany's virtually popular and respected ability metal outfits -- no meanspirited exploit.
George Clooney - Clooney Pitt Team Up Again To Help Cyclone Victims
Thursday, 19 June 2008
Ashlee Simpson - The Things They Say 8596
"I would love to have a boy, but I know how to raise girls so I'm good with that." ASHLEE SIMPSON's manager/father JOE SIMPSON doesn't know the sex of his first unborn grandchild.
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Thursday, 12 June 2008
'Panda' piles up the cash with $60M opening weekend box office
LOS ANGELES - Jack Black's cartoon tale "Kung Fu Panda" had the right moves at the box office, debuting as the top weekend movie with US$60.2 million.
Adam Sandler's comedy "You Don't Mess With the Zohan" opened at No. 2 with $38.5 million.
The top 20 movies at U.S. and Canadian theatres Friday through Sunday, followed by distribution studio, gross, number of theatre locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by Media By Numbers LLC:
1. "Kung Fu Panda," Paramount, $60,239,130, 4,114 locations, $14,642 average, $60,239,130, one week.
2. "You Don't Mess With the Zohan," Sony, $38,531,374, 3,462 locations, $11,130 average, $38,531,374, one week.
3. "Indiana Jones and the Kingdom of the Crystal Skull," Paramount, $22,793,630, 4,190 locations, $5,440 average, $253,014,750, three weeks.
4. "Sex and the City," Warner Bros, $21,218,305, 3,325 locations, $6,381 average, $99,177,283, two weeks.
5. "The Strangers," Universal, $8,941,970, 2,477 locations, $3,610 average, $37,298,770, two weeks.
6. "Iron Man," Paramount, $7,477,439, 2,931 locations, $2,551 average, $288,847,640, six weeks.
7. "The Chronicles of Narnia: Prince Caspian," Disney, $5,658,836, 3,065 locations, $1,846 average, $125,977,010, four weeks.
8. "What Happens in Vegas," Fox, $3,437,801, 2,366 locations, $1,453 average, $72,267,894, five weeks.
9. "Baby Mama," Universal, $806,750, 922 locations, $875 average, $57,931,215, seven weeks.
10. "Made of Honor," Sony, $804,055, 740 locations, $1,087 average, $44,689,497, six weeks.
11. "Forgetting Sarah Marshall," Universal, $481,780, 442 locations, $1,090 average, $61,551,440, eight weeks.
12. "The Visitor," Overture Films, $477,091, 260 locations, $1,835 average, $6,002,382, nine weeks.
13. "Speed Racer," Warner Bros., $427,547, 855 locations, $500 average, $42,075,228, five weeks.
14. "Dr. Seuss' Horton Hears a Who!," Fox, $254,418, 347 locations, $733 average, $153,018,574, 13 weeks.
15. "The Fall," Roadside Attractions, $249,967, 111 locations, $2,252 average, $1,068,587, five weeks.
16. "Nim's Island," Fox, $192,400, 289 locations, $666 average, $46,417,751, 10 weeks.
17. "Then She Found Me," ThinkFilm, $181,341, 129 locations, $1,406 average, $2,800,729, seven weeks.
18. "Sea Monsters: a Prehistoric Adventure," National Geographic, $180,873, 48 locations, $3,768 average, $13,899,766, 36 weeks.
19. "Harold & Kumar Escape From Guantanamo Bay," Warner Bros., $178,402, 240 locations, $743 average, $37,401,751, seven weeks.
20. "Young(at)heart," Fox Searchlight, $150,679, 147 locations, $1,025 average, $3,111,146, nine weeks.
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On the Net: http://www.mediabynumbers.com
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Sunday, 25 May 2008
'Late Night' Update: Fallon To Replace O'Brien
Officially introduced Monday as the successor to Conan O'Brien on NBC's Late Night when O'Brien moves over to the Tonight show next year, Jimmy Fallon joked that his elementary school principal, Mr. Nostradamus, had listed him in his kindergarten yearbook as "most likely to take over for David Letterman." As many people are aware, Mr. Nostradamus has been a bit off with other predictions over the years, but TV writers had been predicting for weeks that Fallon would be named Late Night's host (and, of course, Letterman did indeed once host the show himself, jumping to CBS after the powers-that-be at NBC passed him over for Jay Leno to succeed Johnny Carson.) Still up in the air is the question of what will happen to Leno when the game of musical chairs plays out next year (precisely when that will be has not yet been disclosed). At Monday's news conference, NBC Entertainment co-chairman Ben Silverman said that he was looking to find an inducement to keep Leno at NBC, but he acknowledged that he might not be able to do so. "I think it's a reach," he said.See Also
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